A striking leading man can command a frame. Holding an entire film together is a different challenge.
That distinction sits at the centre of Athulya Nambiar’s review for Koimoi. She singles out Nani’s energy and early screen presence as strengths, but argues that the film’s writing struggles to sustain that impact.
The performance is the draw
In Koimoi’s assessment, Nani gives the opening half its momentum. His physical intensity suits the film’s larger-than-life register, even as the material becomes repetitive later.
Where the impact fades
The same review criticises the second half’s loss of focus, underdeveloped supporting roles, uneven editing and harsh sound mix. The intended emotional connection, particularly around the mother-son relationship, is described as falling short.
THE TAKEAWAY
Star power is the attraction.
Storytelling is the concern.
Koimoi’s verdict is negative overall. Its review suggests that viewers looking for a tightly written drama should temper expectations, despite Nani’s commitment.
This is an attributed summary of published criticism, not a firsthand review or an English translation of Eenadu’s article. No independent star rating has been assigned.